FStoppers

Eleven years ago, I bought the Canon EF 70-200mm f/4L (non-IS). It wasn’t the lens most people in sports photography recommended. It didn’t have the aura of the f/2.8 — the sideline king, the badge of seriousness, the one that whispers “pro” when you sling it over your shoulder.

[ Read More ]

Every few years, camera companies roll out something meant to grab attention. Sometimes, those ideas turn into revolutions: autofocus, in-body stabilization, and mirrorless mounts all began as risks that paid off. But for every real innovation, there’s a graveyard of gimmicks — features and products that sounded futuristic, won headlines, and then died in obscurity. Here are five of the quirkiest gimmicks that promised to change photography but went nowhere.

[ Read More ]

I’m putting the Rose FX Filter by Prism Lens FX to the test to see how it changes the color and tone of an everyday outdoor portrait shoot. Is the World Better Through Rose-Colored Glass? That’s exactly what I wanted to find out when I got my hands on the Rose FX Filter.

[ Read More ]

GFX versus X series isn’t a spec-sheet feud. It’s a question about your back, your budget, and how you move during a 10-hour wedding while still wanting that medium format look. The video takes that tension head-on with real wedding use, not desk-bound theory.

[ Read More ]

Panasonic has introduced the LUMIX S 100-500mm f/5-7.1 O.I.S., the first ultra-telephoto zoom lens in the LUMIX S Series. Designed for the L-Mount system, the lens extends the lineup’s reach to 500mm and supports optional teleconverters for focal lengths up to 1,000mm.

[ Read More ]

The idea of a single lens that covers nearly every situation is hard to ignore. When you carry a full frame camera, weight and size matter, and lenses are usually the limiting factor. A lens that balances reach, width, and portability solves a real problem when traveling or shooting outdoors.

[ Read More ]

Most cameras today can capture both raw and JPEG files, but many smaller travel-friendly models only give you JPEG. That means you lose some flexibility when editing, yet with the right setup, you can still come away with strong results. The key is knowing how to make your JPEGs as clean and workable as possible before you ever open them on a computer.

[ Read More ]

A small, metal-bodied Micro Four Thirds camera that shoots 50 MP handheld high-res and 80 MP on a tripod changes what you can do in mixed photo-and-video workflows. If you care about fast setup, deep depth of field at lower ISO, and a compact kit that doesn’t feel like a compromise, this one hits a specific sweet spot for photographers who value mobility and control.

[ Read More ]

Let’s admit it. Social media platforms now favor video content, and it’s not enough to just post your output anymore. Video content can be a way to tell potential clients more about what we offer, but it’s no walk in the park to produce.

[ Read More ]

The news landed with the weight of a supertelephoto hitting the studio floor: Canon has discontinued the Canon EOS-1D X Mark III. Just like that, after 35 years of continuous evolution, the flagship DSLR line that defined professional photography for generations has reached its terminus. The last units are shipping from warehouses, repair parts are being stockpiled, and Canon's focus has irrevocably shifted to the mirrorless future.

[ Read More ]

In professional photography, every detail matters. Being able to view an image large and live while shooting, and adjust immediately, is a real game changer. Traditionally, tethering meant long cables, bulky monitors, and staying locked to one spot. Now, it’s far easier: wireless tethering.

[ Read More ]

You want a compact that actually changes how you shoot, not just stats on a page. Daily carry, quieter presence in public, and stabilization for low light are the levers that move your results.

[ Read More ]

Color grading shapes the mood of an image in a way that goes beyond simple editing. Small shifts in hue or saturation can change the entire feel of a photograph, giving you the ability to move from cinematic drama to soft romance with just a few adjustments. If you want more control over how your photos communicate emotion, learning how to do this in Photoshop is worth your time.

[ Read More ]

When you buy your first camera, it usually comes with a basic kit lens. That lens is a good starting point, but it won’t be long before you start wondering what to add next. The choice matters because your second or third lens often shapes how your photography develops.

[ Read More ]

Another year, another iPhone, but the new iPhone 17 Pro brings with it a significant set of new features that might be of interest to photographers.

[ Read More ]

I’ve shot with a lot of cameras, film and digital—but if there’s one that’s been through it all with me, it’s the Canon 6D. This isn’t a pixel-peeping review comparing MTF charts or arguing about dynamic range. This is a look back at a decade spent with one of Canon’s most underrated full frame DSLRs. From dusty MiLB diamonds and fluorescent-lit engineering offices to golden hour family portraits and rain-soaked street photography, my 6D has quietly been the backbone of my professional and personal work.

[ Read More ]

Astrophotography is growing rapidly in popularity. Better and more reasonably priced equipment, computer control, and a heightened interest in what is in the night sky have all combined to expand the number of photographers who do night sky imaging. Some create landscapes, better termed “nightscapes,” while others focus on capturing planets, nebulae, and galaxies.

[ Read More ]

Photography gear culture used to thrive on mystery, and that mystery was part of the fun. Online forums and rumor sites once operated like detective agencies, parsing blurry prototype photos, dissecting obscure patents, and arguing endlessly about what Canon or Nikon might do next. A new lens wasn’t just a product; it was a revelation, a moment of cultural energy that could send shockwaves through the community.

[ Read More ]

Strategically placing people in landscape photos can create deeper emotional connections, but it also comes with surprising risks when using this powerful technique.

[ Read More ]

When you’re starting out in photography, a lot of the frustration doesn’t come from a lack of gear or creativity. It comes from making simple mistakes that hold you back without you realizing it.

[ Read More ]