FStoppers

The first time the R7 choked on a third-and-short, I felt it in my chest. I was on the sideline, ten yards ahead of the play, finger down, trusting the tiny motor under my thumb to keep up with a world that had just gone from strolling to sprinting. Five… six… seven frames in and the picture flow hiccupped—the stream turned to a stutter—and my running back chose that half-second to change direction and break a tackle. I have a folder full of the prelude and not the punchline. With my old 6D, the pace was honest and simple: a handful of frames per second and an optical viewfinder that never lied. The R7 is a hummingbird by comparison—faster, sharper, with extra reach that feels like cheating—until it teaches you that speed without rhythm is just noise.

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Introducing the Osmo Mobile 8, the latest addition to DJI’s mobile gimbal series, designed to expand creative possibilities for smartphone filmmakers. Designed to support a wider range of filming scenarios, the Osmo Mobile 8 introduces 360 ° Pan Rotation for smooth panoramic shots, an ultra-comfortable grip for low-angle filming, and—for the first time—intelligent tracking of cats and dogs.

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A 180mm macro that reaches 1.5x and flips between manual focus up close and autofocus at distance solves real problems. You get working room for skittish subjects and the reach to turn everyday scenes into tight, dramatic frames.

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Camera bags; they're all the same, right? Well, Tenba may have changed the game by making the world's toughest soft camera bag.

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There's a 10-year-old Canon PowerShot in your parents' junk drawer. It was once a $300 piece of high technology, a marvel of miniaturized optics and digital sensors that could fit in a shirt pocket. Today, the phone in your hand takes better photos in worse lighting without you thinking about it. This is the story of how the smartphone killed the most popular camera on Earth.

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Canon put 7K open gate raw, 4K at 120p without a crop, and dual-base ISO into the EOS C50, a compact cinema body that’s meant to work fast. If you balance scripted projects with social deliverables or need clean high frame rates without changing your lens plan, this release is worth a look.

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The Fujifilm X-E5 looks like a fantastic option on paper, essentially being a Fujifilm X100VI with interchangeable lenses. Sadly, my initial experience with the Fujifilm X-E5 left me confused by some of their design choices.

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This affordable 85mm portrait prime changes your options with a compact build, a bright f/2 aperture, and performance that holds up on high-resolution bodies. If you photograph people or detail-rich scenes, the mix of sharpness, subject separation, and modern autofocus gives you a practical tool without the premium price tag.

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Burnout shows up quietly and then sticks around. It blunts creative drive and drags down the workday long before you notice the slide.

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Portkeys has introduced the LH5C, a compact 5.4-inch on-camera monitor with HDMI input/output and wired camera control. The monitor runs the company’s MOVNORM OS and includes a full set of monitoring tools aimed at solo operators and small crews, costing just $199.

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Canon has introduced the EOS R6 Mark III, a 32.5-megapixel full frame mirrorless body aimed at hybrid shooters who split their time between stills and video. It brings a new sensor, faster burst rates with a pre-capture mode, and a broader video feature set, including 7K raw options and 4K at up to 119.9p. It sits in the same do-everything slot as previous 6-series models, but with more headroom for advanced work.

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Canon has introduced the Canon RF 45mm f/1.2 STM, a standard-view prime built for its RF mount cameras. The lens aims to deliver fast-aperture performance in a smaller package than typical f/1.2 options, targeting everyday stills and video work on both full frame and APS-C RF bodies.

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Film is having another moment. Thrift stores are lighter on old SLRs than they used to be; teenagers are loading rolls their grandparents forgot about; family closets keep surrendering shoeboxes that smell like basements, cedar, and Kodachrome. If you want those images to live again—on phones, on walls, in books—you don’t need a museum-grade scanner or a lab behind a glass wall. You need a steady hand, a repeatable rhythm, and a machine that shows up every time. For me, that’s the Epson Perfection V600 Photo Scanner.

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Here is how to load RED LUTs into your Nikon ZR.

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Photography has been revolutionized not just by cameras, but by the glass in front of them. While cameras capture the image, it's the lens that creates it: shaping light, defining character, and determining what's even possible to photograph. These five lenses didn't just improve image quality; they fundamentally transformed what photographers could do, how they could do it, and who could afford to do it.

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City photos either look flat or they pull you in. Light, timing, and intent change how a familiar street reads when you want images that stand out in a feed stuffed with near-duplicates.

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Do you find yourself constantly striving for the unattainable perfect shot, or does friction in your creative process hold you back? Let's discuss three profound lessons that Greg learned this year that can simplify your workflow and help you become a much happier photographer.

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Wide zooms change how you work in tight streets, small rooms, and fast video setups. This matchup pits the new Tamron 16–30mm f/2.8 against Sony’s compact 16–25mm f/2.8 to see where you gain range, sharpness, and control without bloating the kit.

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Compact bodies change how long you stay out and how quickly you respond to action. The Fujifilm X-M5 mirrorless camera pushes you to chase color and mood straight out of the camera, which matters when you want results without a heavy edit session.

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Photoshop 2026 brings a sharp split between standard tools and cloud-powered premium features that burn credits. If you edit daily and rely on selection, removal, and upscaling, the mix of native models, partner models, and a new “how many credits do I have left?” mindset changes how you plan edits.

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